| Roman Glass is an ancient glass, discovered in | | | | prosperous classes of Roman society. In fact, |
| archaeological excavation sites in Israel and in | | | | these fine wares were the only glass objects |
| other Mediterranean countries.The fine Sterling | | | | continually formed via casting, even up to the as |
| Silver Roman Glass Jewelry is one of the most | | | | Late Flavian, Trajanic, and Hadrianic periods |
| popular types and styles originated from Israel | | | | (96-138 A.D.), after glassblowing superceded |
| enabling to wear an entirely unique piece of | | | | casting as the dominant method of glassware |
| 2,000-year-old history. The glass in this aqua-hued | | | | manufacture in the early first century A.D. |
| jewelry began life as a vase, jug, or vessel. | | | | Blown Glass |
| Uncovered from ancient Roman archaeological | | | | SOMETIME AROUND 70 B.C., in Jerusalem, |
| sites in modern-day Israel, each fragment has | | | | someone realized that, if you took a glass tube -- |
| been textured and colored by centuries of wind | | | | then the stock for mass production of beads -- |
| and weather. Each bear the marks of not only its | | | | sealed one end and blew into the other, you could |
| past life as a household or temple object but also | | | | create a glass bulb. Blow hard enough and long |
| the very earth in which it rested until being | | | | enough, and you could make a small bottle. This |
| transformed into a unique accent. Each piece of | | | | was glassblowing at its most primitive. It is quite |
| Roman glass is framed by a sterling silver bezel. | | | | possible that, without further refinement, this |
| The designs for the jewels are based on artifacts | | | | moment of experimentation might have passed |
| and drawings also discovered on the archeological | | | | unnoticed. A couple of decades later, however, |
| digs. The Roman Glass is a beautiful piece of | | | | the introduction of a separate blowpipe, together |
| history dating back 2,000 years to the time of | | | | with a tool-kit of variously-sized pincers and |
| the Roman Empire. The Roman Glass used for | | | | paddles, made it possible to blow and shape glass |
| jewelry today in Israel is found in archeological | | | | with much greater control, and with much greater |
| digs throughout the land of Israel. The natural | | | | novelty. |
| phenomenon which the glass has undergone over | | | | The new technology revolutionized the Italian glass |
| the many years it has been buried have given it | | | | industry, stimulating an enormous increase in the |
| the unique and beautiful aqua shades we enjoy | | | | range of shapes and designs that glassworkers |
| today.Initially, in the Roman empire, glass was | | | | could produce. A glassworker's creativity was no |
| mainly used for vessels and available only for the | | | | longer bound by the technical restrictions of the |
| wealthy. At that time, glass was manufactured by | | | | laborious casting process, as blowing allowed for |
| core forming, casting, cutting and grinding. | | | | previously unparalleled versatility and speed of |
| However, since the invention of the glass blowing, | | | | manufacture. These advantages spurred a rapid |
| glass was available to the public in vast numbers, | | | | evolution of style and form, and experimentation |
| mass produced in a large variety of shapes and | | | | with the new technique led craftsmen to create |
| forms. Due to the great popularity of glass during | | | | novel and unique shapes; examples exist of flasks |
| those ancient times, we today are privileged to | | | | and bottles shaped like foot sandals, wine barrels, |
| make use of these gorgeous historical pieces with | | | | fruits, and even helmets and animals. Some |
| which we enhance the beauty of our jewelry. | | | | combined blowing with glass-casting and |
| Ancient Israel, due to its large stretches of sandy | | | | pottery-molding technologies to create the |
| dunes and beaches, was one of the largest glass | | | | so-called mold-blowing process. Further innovations |
| producers of the Roman Empire. These same | | | | and stylistic changes saw the continued use of |
| sands helped preserve the glass through the | | | | casting and free-blowing to create a variety of |
| centuries, shaping and tempering it into the | | | | open and closed forms that could then be |
| jewelry-quality pieces being excavated today. | | | | engraved or facet-cut in any number of patterns |
| Today the fragments of the 2000 years old | | | | and designs. |
| Roman Glass that were once part of the lip of a | | | | But the potential of a technological idea will only |
| goblet, jar, or other vessel are used in Israel to | | | | come to fruition if its seed is planted in an |
| create beautiful jewelry that mixes the typical | | | | encouraging cultural environment. During Rome's |
| blue and green old glass excavated from | | | | Republican Era, in the dictatorial times of Sulla and |
| archaeological digs with silver or gold creating a | | | | Julius Caesar, such encouragement seems to |
| piece of art and history to wear with love. | | | | have been lacking. In the Hellenistic world, the |
| A certificate of authenticity is available for the | | | | firmly established traditions of working glass -- |
| Roman Glass jewelry. | | | | either by blending threads of it into closed vessel |
| It is interesting to know some facts about the | | | | forms or by slumping glass over a pre-shaped |
| glass history and the Roman Glass history, | | | | model for open ones -- were producing fine |
| collected from several sources. | | | | wares with which the infant technique of |
| The History of Glass | | | | free-blowing could not yet compete. In the |
| Glass is formed when sand (silica), soda (alkali), | | | | Roman world, however, pottery was still the |
| and lime are fused at high temperatures. The | | | | material of choice for everything domestic, from |
| color of the glass can be altered by adjusting the | | | | fish platters to perfume bottles, and no one |
| atmosphere in the furnace and by adding specific | | | | seemed to be in any hurry to change that |
| metal oxides to the glass "batch" (such as cobalt | | | | situation. Enter the Emperor Augustus. It is said |
| for dark blue, tin for opaque white, antimony and | | | | that he had no love of foreigners; he viewed the |
| manganese for colorless glass). A venerable | | | | appreciable numbers of them living in Rome |
| legend perpetuated as late as the seventh | | | | around 10 B.C. as a potential source for the |
| century A.D. in the writings of Isidore of Seville | | | | corruption of traditional Roman values. If I |
| gives a suitable miraculous explanation for the | | | | interpret his subsequent actions correctly, he |
| discovery of this elemental--yet truly | | | | wanted the Italian mainland to be far more |
| wondrous--material - This was its origin: in a part | | | | self-sufficient wherever possible. So it was that |
| of Syria which is called Phoenicia, there is a | | | | Italian businesses in certain crafts -- most |
| swamp close to Judaea, around the base of Mt. | | | | obviously, pottery- and cloth-making -- were |
| Carmel, from which the Bellus River arises . . . | | | | encouraged to expand. The craft of glassworking |
| whose sands are purified from contamination by | | | | now was adopted from the Hellenistic world with |
| the torrent's flow. The story is that here a ship of | | | | much energy and skill. An ancient Industrial |
| natron [sodium carbonate] merchants had been | | | | Revolution was underway. |
| shipwrecked; when they were scattered about on | | | | To get things moving, the Romans simply |
| the shore preparing food and no stones were at | | | | enslaved hundreds of skilled craftsmen in the |
| hand for propping up their pots, they brought | | | | eastern provinces, uprooting them from their |
| lumps of natron from the ship. The sand of the | | | | homes and resettling them in the outskirts of |
| shore became mixed with the burning natron and | | | | rapidly-growing Roman cities. Pottery-makers |
| translucent streams of a new liquid flowed forth: | | | | were imported from Asia Minor, particularly from |
| and this was the origin of glass.(Isidore of Seville, | | | | around Pergamum, and put to work at Arretium; |
| Etymologies XVI.16. Translation by Charles Witke.) | | | | Greek craftsmen were moved from Athens to |
| It is not surprising that the ancient authorities | | | | Lyons and other cities in central Gaul; |
| thought of Phoenicia as the birthplace of glass, for | | | | glassworkers were brought in from the provinces |
| the Syro-Palestine region did indeed become a | | | | of Syria, Judaea, and Aegyptus -- most likely |
| major center of glass production in antiquity, along | | | | from the cities of Sidon, Jerusalem, and |
| with Egypt. However, glass seems actually to | | | | Alexandria -- and put to work in shops at Naples, |
| have been "discovered" not in Phoenicia, but in | | | | Aquileia, and just outside Rome itself. |
| Mesopotamia. Archaeological research now places | | | | There was an immediate market niche for |
| the first evidence of true glass there at around | | | | glassware in Augustan times. Like many ancient |
| 2500 B.C. At first it was used for beads, seals, | | | | peoples, the Romans believed in an afterlife that |
| and architectural decoration. | | | | was an idealized form of their worldly experience. |
| Some 1,000 years elapsed before glass vessels | | | | According to its means, the family of each dead |
| are known to have been produced. Vessels of | | | | Roman was obliged to provide furnishings for the |
| glass quickly became widespread in the second | | | | grave. Such furnishings always included regular |
| half of the second millennium B.C. They were | | | | domestic items -- plates of food, flasks of wine, |
| popular not only in Mesopotamia but also in Egypt | | | | and so on -- but it was also a tradition to include |
| and the Aegean. The earliest vessels were | | | | offerings of perfume. The Roman wealthy would |
| core-formed. Opaque, dark glass in its molten | | | | put these offerings in bottles (unguentaria) made |
| state was wound around a clay core attached to | | | | of silver or alabaster. The eastern craftsmen who |
| a metal rod. The skin of hot glass was fashioned | | | | brought with them the skill of glassblowing now |
| with tools in order to shape its external features. | | | | offered the rest of the population an alternative in |
| Lighter colored strands of hot glass were then | | | | glass; to be sure, not something as elegant or |
| trailed on the surface and often "dragged" to | | | | colorful as might have been wished, but which |
| produce festoon patterns. The pot surface was | | | | everyone could afford. The free-blown |
| marvered (that is, rolled on a smooth, flat surface | | | | unguentarium was one of the immediate and |
| to produce a level finish). Finally, it was cooled | | | | long-term successes of the newly emerging |
| slowly before the clay core was scraped out of | | | | industry. Modern excavations have revealed many |
| the hardened vessel. This glassware typically | | | | instances where a grave contains not just one or |
| imitated forms originally established for ceramic, | | | | two but a couple of dozen of these, all |
| metal, and stone vessels . Somewhat later, the | | | | mass-produced, each in a matter of minutes at |
| molding technique was developed, whereby glass | | | | most. |
| chips or molten glass were packed or forced into | | | | At the same time, glass captured the popular |
| a mold and then fused. After a molded vessel | | | | imagination by virtue of its translucency. You could |
| was annealed (cooled slowly in a special chamber | | | | see the color of wine in a beaker, or how well a |
| of the glass furnace), it was often ground and | | | | bottle was filled even if it was sealed -- which |
| polished in order to refine the rim and any other | | | | could not be said for items made of pottery, or |
| rough edges. One typical shape for molded | | | | indeed of bronze, silver, or gold. The production of |
| vessels of the late Hellenistic and early Roman | | | | wine glasses soared in the Augustan era, actually |
| periods (c. 150 -50 B.C.) was the so-called | | | | causing the demise of some of the pottery |
| pillar-molded bowl. Here exterior ribs radiate up | | | | workshops that specialized in traditional beaker |
| from the base, stopping abruptly near the rim to | | | | types. It was glass's distinctive property of |
| allow a smooth margin around the circumference. | | | | transparency that stimulated the Emperor Nero's |
| This type is ubiquitous; and it attests to the free | | | | tutor, Lucius Seneca to observe that " ... Apples |
| and rapid exchange of ideas in glass-making | | | | seem more beautiful if they are floating in a |
| throughout the Greater Mediterranean sphere. | | | | glass." (Investigations in Natural Science I.6). And, |
| The site of Tel Anafa in Israel is a small | | | | from the middle of the first century A.D. onward, |
| settlement in the Upper Galilee. During ten | | | | squared-sided glass bottles -- typically with |
| seasons of fieldwork between 1968 and 1986, | | | | capacities in the half- to one-liter range -- were |
| Saul Weinberg and his successor Sharon Herbert | | | | used for a great deal of the short-range |
| oversaw the uncovering of part of a small | | | | movement of liquids such as olive oil and the |
| settlement of the Hellenistic and early Roman | | | | popular fish sauce known as garum. Thus the |
| periods. | | | | industrialization of glassworking in the Augustan |
| In Tel Anafa I, Herbert presents the architecture | | | | era came about through the influence of three |
| and the stratigraphic sequence (text and some | | | | distinct forces: First, by virtue of certain historical |
| illustrations in fasc. i, locus summary and plates to | | | | events (Augustus's rise to power and his |
| Chs. 1 and 2 in fasc. ii). The volume also includes | | | | promotion of craft-centralization on the Italian |
| studies by other scholars of the geological setting | | | | mainland); second, because of a technical |
| of the site, the stamped amphora handles, coins, | | | | innovation (the invention of glassblowing in one of |
| vertebrate fauna, and a single Tyrian sealing. Tel | | | | Rome's eastern provinces); and third, the social |
| Anafa II, i is devoted to the Hellenistic and Roman | | | | pressure related to fashion or taste (a traditional |
| pottery. A future volume (II, ii) will complete the | | | | link between perfumery and Roman funerary |
| series with publication of the pre-Hellenistic and | | | | ritual). Change in the Roman glassworking industry |
| Islamic pottery, lamps, glass, metalware, stucco, | | | | was always most dramatic whenever all three of |
| stone tools, and the palaeobotanical remains. Tel | | | | these forces came together at one time. |
| Anafa (recently excavated jointly by the | | | | Uses |
| Universities of Michigan and Missouri) has provided | | | | At the height of its popularity and usefulness in |
| critical information on the chronological limits of | | | | Rome, glass was present in nearly every aspect |
| these bowls within the Roman period. Glass | | | | of daily life-from a lady's morning toilette to a |
| vessels were initially available only to the very | | | | merchant's afternoon business dealings to the |
| wealthy and only in rather diminutive sizes. They | | | | evening cena, or dinner. Glass alabastra , |
| were manufactured by core forming, casting, | | | | unguentaria, and other small bottles and boxes |
| cutting and grinding. The invention of glass blowing | | | | held the various oils, perfumes, and cosmetics |
| around 50 BC brought glass vessels to the | | | | used by nearly every member of Roman society. |
| general public in vast numbers, mass produced in | | | | Pyxides often contained jewelry with glass |
| great variety of forms and hence brought ancient | | | | elements such as beads, cameos, and intaglios , |
| glass into the reach of the modern collector of | | | | made to imitate semi-precious stone like carnelian, |
| even modest means. One can nowadays own a | | | | emerald, rock crystal, sapphire, garnet, sardonyx, |
| Roman glass bowl, or drink from a Roman glass | | | | and amethyst. |
| beaker, or wear ancient jewellery where glass | | | | Merchants and traders routinely packed, shipped, |
| was used widely. In 63 BC, the Romans | | | | and sold all manner of foodstuffs and other goods |
| conquered the Syro-Palestine area. They brought | | | | across the Mediterranean in glass bottles and jars |
| back with them glassmakers to Rome.Soon after, | | | | of all shapes and sizes, supplying Rome with a |
| the first transparent glass sheets were produced | | | | great variety of exotic materials from far-off |
| in Rome. The word vitrum, meaning glass, | | | | parts of the empire. Other applications of glass |
| entered the Latin language.Rome's political, military, | | | | included multicolored tesserae used in elaborate |
| and economic dominanace in the Mediterranean | | | | floor and wall mosaics, and mirrors containing |
| world was a major factor in attracting skilled | | | | colorless glass with wax, plaster, or metal backing |
| craftsmen to set up workshops in the city, but | | | | that provided a reflective surface. Glass |
| equally important was the fact that the | | | | windowpanes were first made in the early imperial |
| establishment of the Roman industry roughly | | | | period, and used most prominently in the public |
| coincided with the invention of glassblowing. The | | | | baths to prevent drafts. Because window glass in |
| new technique led craftsmen to create novel and | | | | Rome was intended to provide insulation and |
| unique shapes; examples exist of flasks and | | | | security, rather than illumination or as a way of |
| bottles shaped like foot sandals, wine barrels, | | | | viewing the world outside, little, if any, attention |
| fruits, and even helmets and animals. Some | | | | was paid to making it perfectly transparent or of |
| combined blowing with glass-casting and | | | | even thickness. Window glass could be either cast |
| pottery-molding technologies to create the | | | | or blown. Cast panes were poured and rolled over |
| so-called mold-blowing process. Further innovations | | | | flat, usually wooden molds laden with a layer of |
| and stylistic changes saw the continued use of | | | | sand, and then ground or polished on one side. |
| casting and free-blowing to create a variety of | | | | Blown panes were created by cutting and |
| open and closed forms that could then be | | | | flattening a long cylinder of blown glass. AN |
| engraved or facet-cut in any number of patterns | | | | INDUSTRY THOUGH Roman glassworking |
| and designs. | | | | certainly was, it was one that maintained a |
| Core-formed and cast glass vessels were first | | | | remarkable degree of dynamism over the |
| produced in Egypt and Mesopotamia as early as | | | | centuries. The shape and decoration of two of its |
| the fifteenth century B.C., but only began to be | | | | main products -- the unguentarium and the wine |
| imported and, to a lesser extent, made on the | | | | beaker -- were being modified every few |
| Italian peninsula in the mid-first millennium B.C. By | | | | decades, sometimes quite sharply, and there |
| the time of the Roman Republic (509-27 B.C.), | | | | were many new items of glassware introduced |
| such vessels, used as tableware or as containers | | | | that expanded the glassworker's repertoire in |
| for expensive oils, perfumes, and medicines, were | | | | significant ways. The way that the Romans |
| common in Etruria (modern Tuscany) and Magna | | | | committed themselves so heavily to the |
| Graecia (areas of southern Italy including modern | | | | maintenance of good ports all around the |
| Campania, Apulia, Calabria, and Sicily). However, | | | | Mediterranean coastline and of fine roads that |
| there is very little evidence for similar glass | | | | criss-crossed the entire Empire on land was also |
| objects in central Italian and Roman contexts until | | | | critical for keeping the Roman glassmaking |
| the mid-first century B.C. The reasons for this are | | | | industry so dynamic. Of course, the main purpose |
| unclear, but it suggests that the Roman glass | | | | of such maintenance was to assure the easy |
| industry sprang from almost nothing and | | | | movement of troops from one trouble spot to |
| developed to full maturity over a couple of | | | | another, and of administrative information from |
| generations during the first half of the first | | | | one city to another. But these ports and roads |
| century A.D. | | | | also allowed the movement of people and their |
| Doubtless Rome's emergence as the dominant | | | | ideas. Signatures and inscriptions in Greek indicate |
| political, military, and economic power in the | | | | clearly enough that eastern Mediterranean |
| Mediterranean world was a major factor in | | | | craftsmen settled at various places in northern |
| attracting skilled craftsmen to set up workshops | | | | Italy and central Gaul; that north African and |
| in the city, but equally important was the fact | | | | Syrian soldiers were conscripted to serve in the |
| that the establishment of the Roman industry | | | | army in northern England, thereafter to settle |
| roughly coincided with the invention of | | | | there as tradesmen; and that businessmen of |
| glassblowing. This invention revolutionized ancient | | | | every background and philosophical persuasion |
| glass production, putting it on a par with the other | | | | traded wherever it was to their advantage to do |
| major industries, such as that of pottery and | | | | so. Thus, every Roman city became a social |
| metalwares (as 20.49.2-12). Likewise, glassblowing | | | | melting-pot where technical innovations could be |
| allowed craftsmen to make a much greater | | | | passed on, blending with or displacing old ideas, |
| variety of shapes than before. Combined with the | | | | sometimes in the space of just a decade or two. |
| inherent attractiveness of glass-it is nonporous, | | | | The industrial activities of the Roman world |
| translucent (if not transparent), and odorless-this | | | | responded accordingly, with a freshness of |
| adaptability encouraged people to change their | | | | purpose and an ongoing rise in skill. |
| tastes and habits, so that, for example, glass | | | | Jewelry in the Roman Times |
| drinking cups rapidly supplanted pottery | | | | Ancient Roman glass jewelry reached its height |
| equivalents. | | | | during the Augustan age, at the beginning of the |
| In fact, the production of certain types of native | | | | Empire. This meant that in many ways the glass |
| Italian clay cups, bowls, and beakers declined | | | | jewelry were deprived of much of the |
| through the Augustan period, and by the mid-first | | | | expressive freedom one might expect and hope |
| century A.D. had ceased altogether.However, | | | | for. The buyers of this fine artistic jewelry were |
| although blown glass came to dominate Roman | | | | the conservative political. The period of peace |
| glass production, it did not altogether supplant cast | | | | achieved during the rule of Augustus and |
| glass. Especially in the first half of the first century | | | | Augustus made this possible, especially after the |
| A.D., much Roman glass was made by casting, | | | | vicious fighting of the Roman civil wars. Ancient |
| and the forms and decoration of early Roman | | | | Roman jewelry in earlier times was derived from |
| cast vessels demonstrate a strong Hellenistic | | | | both Hellenistic and Etruscan jewelry. In addition, |
| influence. The Roman glass industry owed a great | | | | as Roman jewelry designs freed itself of |
| deal to eastern Mediterranean glassmakers, who | | | | Hellenistic and Etruscan influences, greater use |
| first developed the skills and techniques that | | | | was made of colored stones such as: topazes, |
| made glass so popular that it can be found on | | | | emeralds, rubies, sapphires, and pearls. Trojan and |
| every archaeological site, not only throughout the | | | | Cretan artisans of the Minoan period, although |
| Roman empire but also in lands far beyond its | | | | working at opposite ends of the Aegean region, |
| frontiers. | | | | crafted earrings, bracelets, and necklaces of a |
| Cast Glass | | | | common type that persisted from about 2500 BC |
| Although the core-formed industry dominated | | | | to the beginning of the Classical period of Greek |
| glass manufacture in the Greek world, casting | | | | art 479 BC - 323 BC. |
| techniques also played an important role in the | | | | Roman jewelry was highly influenced by some of |
| development of glass in the ninth to fourth | | | | the designs of the places they conquered and |
| centuries B.C. Cast glass was produced in two | | | | established connections with. The creators spared |
| basic ways-through the lost-wax method and with | | | | no effort in making some of the most exquisite |
| various open and plunger molds. The most | | | | and ornamental compositions. Rings were a major |
| common method used by Roman glassmakers | | | | symbol in the body of ancient Roman jewelry. |
| for most of the open-form cups and bowls in the | | | | Ornamental Roman jewelry was worn by women |
| first century B.C. was the Hellenistic technique of | | | | of high status. They often wore jewelry on their |
| sagging glass (81.10.243) over a convex "former" | | | | ears, neck, arms and hands. Ancient Roman |
| mold. However, various casting and cutting | | | | designs and fashion jewelry also included seal |
| methods were continuously utilized as style and | | | | rings, amulets and talismans. The cameo and hoop |
| popular preference demanded. The Romans also | | | | earrings were introduced in ancient Roman times. |
| adopted and adapted various color and design | | | | Ancient Roman glass jewelry reached its height |
| schemes from the Hellenistic glass traditions, | | | | during the Augustan age, at the beginning of the |
| applying such designs as network glass and | | | | Empire. This meant that in many ways the glass |
| gold-band glass to novel shapes and forms. | | | | jewelry were deprived of much of the |
| Distinctly Roman innovations in fabric styles and | | | | expressive freedom one might expect and hope |
| colors include marbled mosaic glass, short-strip | | | | for. The buyers of this fine artistic jewelry were |
| mosaic glass, and the crisp, lathe-cut profiles of a | | | | the conservative political. The period of peace |
| new breed of fine as monochrome and colorless | | | | achieved during the rule of Augustus and |
| tablewares of the early empire, introduced around | | | | Augustus made this possible, especially after the |
| 20 A.D. This class of glassware became one of | | | | vicious fighting of the Roman civil wars. |
| the most prized styles because it closely | | | | The gold beads of ancient Rome were artfully |
| resembled luxury items such as the highly valued | | | | shaped to create images of flowers and animals. |
| rock crystal objects, Augustan Arretine ceramics | | | | The most common fact that is assumed by most |
| (as 10.210.37), and bronze and silver tablewares | | | | is that the ancient Roman jewelry has a similar |
| (as 20.49.2-12) so favored by the aristocratic and | | | | resembles to the Greek and Etruscan jewelry. |