Roman Glass Jewelry - Wear History Art and Color in Your Jewelery Necklaces, Earrings, Bracelets

Roman Glass is an ancient glass, discovered inprosperous classes of Roman society. In fact,
archaeological excavation sites in Israel and inthese fine wares were the only glass objects
other Mediterranean countries.The fine Sterlingcontinually formed via casting, even up to the as
Silver Roman Glass Jewelry is one of the mostLate Flavian, Trajanic, and Hadrianic periods
popular types and styles originated from Israel(96-138 A.D.), after glassblowing superceded
enabling to wear an entirely unique piece ofcasting as the dominant method of glassware
2,000-year-old history. The glass in this aqua-huedmanufacture in the early first century A.D.
jewelry began life as a vase, jug, or vessel.Blown Glass
Uncovered from ancient Roman archaeologicalSOMETIME AROUND 70 B.C., in Jerusalem,
sites in modern-day Israel, each fragment hassomeone realized that, if you took a glass tube --
been textured and colored by centuries of windthen the stock for mass production of beads --
and weather. Each bear the marks of not only itssealed one end and blew into the other, you could
past life as a household or temple object but alsocreate a glass bulb. Blow hard enough and long
the very earth in which it rested until beingenough, and you could make a small bottle. This
transformed into a unique accent. Each piece ofwas glassblowing at its most primitive. It is quite
Roman glass is framed by a sterling silver bezel.possible that, without further refinement, this
The designs for the jewels are based on artifactsmoment of experimentation might have passed
and drawings also discovered on the archeologicalunnoticed. A couple of decades later, however,
digs. The Roman Glass is a beautiful piece ofthe introduction of a separate blowpipe, together
history dating back 2,000 years to the time ofwith a tool-kit of variously-sized pincers and
the Roman Empire. The Roman Glass used forpaddles, made it possible to blow and shape glass
jewelry today in Israel is found in archeologicalwith much greater control, and with much greater
digs throughout the land of Israel. The naturalnovelty.
phenomenon which the glass has undergone overThe new technology revolutionized the Italian glass
the many years it has been buried have given itindustry, stimulating an enormous increase in the
the unique and beautiful aqua shades we enjoyrange of shapes and designs that glassworkers
today.Initially, in the Roman empire, glass wascould produce. A glassworker's creativity was no
mainly used for vessels and available only for thelonger bound by the technical restrictions of the
wealthy. At that time, glass was manufactured bylaborious casting process, as blowing allowed for
core forming, casting, cutting and grinding.previously unparalleled versatility and speed of
However, since the invention of the glass blowing,manufacture. These advantages spurred a rapid
glass was available to the public in vast numbers,evolution of style and form, and experimentation
mass produced in a large variety of shapes andwith the new technique led craftsmen to create
forms. Due to the great popularity of glass duringnovel and unique shapes; examples exist of flasks
those ancient times, we today are privileged toand bottles shaped like foot sandals, wine barrels,
make use of these gorgeous historical pieces withfruits, and even helmets and animals. Some
which we enhance the beauty of our jewelry.combined blowing with glass-casting and
Ancient Israel, due to its large stretches of sandypottery-molding technologies to create the
dunes and beaches, was one of the largest glassso-called mold-blowing process. Further innovations
producers of the Roman Empire. These sameand stylistic changes saw the continued use of
sands helped preserve the glass through thecasting and free-blowing to create a variety of
centuries, shaping and tempering it into theopen and closed forms that could then be
jewelry-quality pieces being excavated today.engraved or facet-cut in any number of patterns
Today the fragments of the 2000 years oldand designs.
Roman Glass that were once part of the lip of aBut the potential of a technological idea will only
goblet, jar, or other vessel are used in Israel tocome to fruition if its seed is planted in an
create beautiful jewelry that mixes the typicalencouraging cultural environment. During Rome's
blue and green old glass excavated fromRepublican Era, in the dictatorial times of Sulla and
archaeological digs with silver or gold creating aJulius Caesar, such encouragement seems to
piece of art and history to wear with love.have been lacking. In the Hellenistic world, the
A certificate of authenticity is available for thefirmly established traditions of working glass --
Roman Glass jewelry.either by blending threads of it into closed vessel
It is interesting to know some facts about theforms or by slumping glass over a pre-shaped
glass history and the Roman Glass history,model for open ones -- were producing fine
collected from several sources.wares with which the infant technique of
The History of Glassfree-blowing could not yet compete. In the
Glass is formed when sand (silica), soda (alkali),Roman world, however, pottery was still the
and lime are fused at high temperatures. Thematerial of choice for everything domestic, from
color of the glass can be altered by adjusting thefish platters to perfume bottles, and no one
atmosphere in the furnace and by adding specificseemed to be in any hurry to change that
metal oxides to the glass "batch" (such as cobaltsituation. Enter the Emperor Augustus. It is said
for dark blue, tin for opaque white, antimony andthat he had no love of foreigners; he viewed the
manganese for colorless glass). A venerableappreciable numbers of them living in Rome
legend perpetuated as late as the seventharound 10 B.C. as a potential source for the
century A.D. in the writings of Isidore of Sevillecorruption of traditional Roman values. If I
gives a suitable miraculous explanation for theinterpret his subsequent actions correctly, he
discovery of this elemental--yet trulywanted the Italian mainland to be far more
wondrous--material - This was its origin: in a partself-sufficient wherever possible. So it was that
of Syria which is called Phoenicia, there is aItalian businesses in certain crafts -- most
swamp close to Judaea, around the base of Mt.obviously, pottery- and cloth-making -- were
Carmel, from which the Bellus River arises . . .encouraged to expand. The craft of glassworking
whose sands are purified from contamination bynow was adopted from the Hellenistic world with
the torrent's flow. The story is that here a ship ofmuch energy and skill. An ancient Industrial
natron [sodium carbonate] merchants had beenRevolution was underway.
shipwrecked; when they were scattered about onTo get things moving, the Romans simply
the shore preparing food and no stones were atenslaved hundreds of skilled craftsmen in the
hand for propping up their pots, they broughteastern provinces, uprooting them from their
lumps of natron from the ship. The sand of thehomes and resettling them in the outskirts of
shore became mixed with the burning natron andrapidly-growing Roman cities. Pottery-makers
translucent streams of a new liquid flowed forth:were imported from Asia Minor, particularly from
and this was the origin of glass.(Isidore of Seville,around Pergamum, and put to work at Arretium;
Etymologies XVI.16. Translation by Charles Witke.)Greek craftsmen were moved from Athens to
It is not surprising that the ancient authoritiesLyons and other cities in central Gaul;
thought of Phoenicia as the birthplace of glass, forglassworkers were brought in from the provinces
the Syro-Palestine region did indeed become aof Syria, Judaea, and Aegyptus -- most likely
major center of glass production in antiquity, alongfrom the cities of Sidon, Jerusalem, and
with Egypt. However, glass seems actually toAlexandria -- and put to work in shops at Naples,
have been "discovered" not in Phoenicia, but inAquileia, and just outside Rome itself.
Mesopotamia. Archaeological research now placesThere was an immediate market niche for
the first evidence of true glass there at aroundglassware in Augustan times. Like many ancient
2500 B.C. At first it was used for beads, seals,peoples, the Romans believed in an afterlife that
and architectural decoration.was an idealized form of their worldly experience.
Some 1,000 years elapsed before glass vesselsAccording to its means, the family of each dead
are known to have been produced. Vessels ofRoman was obliged to provide furnishings for the
glass quickly became widespread in the secondgrave. Such furnishings always included regular
half of the second millennium B.C. They weredomestic items -- plates of food, flasks of wine,
popular not only in Mesopotamia but also in Egyptand so on -- but it was also a tradition to include
and the Aegean. The earliest vessels wereofferings of perfume. The Roman wealthy would
core-formed. Opaque, dark glass in its moltenput these offerings in bottles (unguentaria) made
state was wound around a clay core attached toof silver or alabaster. The eastern craftsmen who
a metal rod. The skin of hot glass was fashionedbrought with them the skill of glassblowing now
with tools in order to shape its external features.offered the rest of the population an alternative in
Lighter colored strands of hot glass were thenglass; to be sure, not something as elegant or
trailed on the surface and often "dragged" tocolorful as might have been wished, but which
produce festoon patterns. The pot surface waseveryone could afford. The free-blown
marvered (that is, rolled on a smooth, flat surfaceunguentarium was one of the immediate and
to produce a level finish). Finally, it was cooledlong-term successes of the newly emerging
slowly before the clay core was scraped out ofindustry. Modern excavations have revealed many
the hardened vessel. This glassware typicallyinstances where a grave contains not just one or
imitated forms originally established for ceramic,two but a couple of dozen of these, all
metal, and stone vessels . Somewhat later, themass-produced, each in a matter of minutes at
molding technique was developed, whereby glassmost.
chips or molten glass were packed or forced intoAt the same time, glass captured the popular
a mold and then fused. After a molded vesselimagination by virtue of its translucency. You could
was annealed (cooled slowly in a special chambersee the color of wine in a beaker, or how well a
of the glass furnace), it was often ground andbottle was filled even if it was sealed -- which
polished in order to refine the rim and any othercould not be said for items made of pottery, or
rough edges. One typical shape for moldedindeed of bronze, silver, or gold. The production of
vessels of the late Hellenistic and early Romanwine glasses soared in the Augustan era, actually
periods (c. 150 -50 B.C.) was the so-calledcausing the demise of some of the pottery
pillar-molded bowl. Here exterior ribs radiate upworkshops that specialized in traditional beaker
from the base, stopping abruptly near the rim totypes. It was glass's distinctive property of
allow a smooth margin around the circumference.transparency that stimulated the Emperor Nero's
This type is ubiquitous; and it attests to the freetutor, Lucius Seneca to observe that " ... Apples
and rapid exchange of ideas in glass-makingseem more beautiful if they are floating in a
throughout the Greater Mediterranean sphere.glass." (Investigations in Natural Science I.6). And,
The site of Tel Anafa in Israel is a smallfrom the middle of the first century A.D. onward,
settlement in the Upper Galilee. During tensquared-sided glass bottles -- typically with
seasons of fieldwork between 1968 and 1986,capacities in the half- to one-liter range -- were
Saul Weinberg and his successor Sharon Herbertused for a great deal of the short-range
oversaw the uncovering of part of a smallmovement of liquids such as olive oil and the
settlement of the Hellenistic and early Romanpopular fish sauce known as garum. Thus the
periods.industrialization of glassworking in the Augustan
In Tel Anafa I, Herbert presents the architectureera came about through the influence of three
and the stratigraphic sequence (text and somedistinct forces: First, by virtue of certain historical
illustrations in fasc. i, locus summary and plates toevents (Augustus's rise to power and his
Chs. 1 and 2 in fasc. ii). The volume also includespromotion of craft-centralization on the Italian
studies by other scholars of the geological settingmainland); second, because of a technical
of the site, the stamped amphora handles, coins,innovation (the invention of glassblowing in one of
vertebrate fauna, and a single Tyrian sealing. TelRome's eastern provinces); and third, the social
Anafa II, i is devoted to the Hellenistic and Romanpressure related to fashion or taste (a traditional
pottery. A future volume (II, ii) will complete thelink between perfumery and Roman funerary
series with publication of the pre-Hellenistic andritual). Change in the Roman glassworking industry
Islamic pottery, lamps, glass, metalware, stucco,was always most dramatic whenever all three of
stone tools, and the palaeobotanical remains. Telthese forces came together at one time.
Anafa (recently excavated jointly by theUses
Universities of Michigan and Missouri) has providedAt the height of its popularity and usefulness in
critical information on the chronological limits ofRome, glass was present in nearly every aspect
these bowls within the Roman period. Glassof daily life-from a lady's morning toilette to a
vessels were initially available only to the verymerchant's afternoon business dealings to the
wealthy and only in rather diminutive sizes. Theyevening cena, or dinner. Glass alabastra ,
were manufactured by core forming, casting,unguentaria, and other small bottles and boxes
cutting and grinding. The invention of glass blowingheld the various oils, perfumes, and cosmetics
around 50 BC brought glass vessels to theused by nearly every member of Roman society.
general public in vast numbers, mass produced inPyxides often contained jewelry with glass
great variety of forms and hence brought ancientelements such as beads, cameos, and intaglios ,
glass into the reach of the modern collector ofmade to imitate semi-precious stone like carnelian,
even modest means. One can nowadays own aemerald, rock crystal, sapphire, garnet, sardonyx,
Roman glass bowl, or drink from a Roman glassand amethyst.
beaker, or wear ancient jewellery where glassMerchants and traders routinely packed, shipped,
was used widely. In 63 BC, the Romansand sold all manner of foodstuffs and other goods
conquered the Syro-Palestine area. They broughtacross the Mediterranean in glass bottles and jars
back with them glassmakers to Rome.Soon after,of all shapes and sizes, supplying Rome with a
the first transparent glass sheets were producedgreat variety of exotic materials from far-off
in Rome. The word vitrum, meaning glass,parts of the empire. Other applications of glass
entered the Latin language.Rome's political, military,included multicolored tesserae used in elaborate
and economic dominanace in the Mediterraneanfloor and wall mosaics, and mirrors containing
world was a major factor in attracting skilledcolorless glass with wax, plaster, or metal backing
craftsmen to set up workshops in the city, butthat provided a reflective surface. Glass
equally important was the fact that thewindowpanes were first made in the early imperial
establishment of the Roman industry roughlyperiod, and used most prominently in the public
coincided with the invention of glassblowing. Thebaths to prevent drafts. Because window glass in
new technique led craftsmen to create novel andRome was intended to provide insulation and
unique shapes; examples exist of flasks andsecurity, rather than illumination or as a way of
bottles shaped like foot sandals, wine barrels,viewing the world outside, little, if any, attention
fruits, and even helmets and animals. Somewas paid to making it perfectly transparent or of
combined blowing with glass-casting andeven thickness. Window glass could be either cast
pottery-molding technologies to create theor blown. Cast panes were poured and rolled over
so-called mold-blowing process. Further innovationsflat, usually wooden molds laden with a layer of
and stylistic changes saw the continued use ofsand, and then ground or polished on one side.
casting and free-blowing to create a variety ofBlown panes were created by cutting and
open and closed forms that could then beflattening a long cylinder of blown glass. AN
engraved or facet-cut in any number of patternsINDUSTRY THOUGH Roman glassworking
and designs.certainly was, it was one that maintained a
Core-formed and cast glass vessels were firstremarkable degree of dynamism over the
produced in Egypt and Mesopotamia as early ascenturies. The shape and decoration of two of its
the fifteenth century B.C., but only began to bemain products -- the unguentarium and the wine
imported and, to a lesser extent, made on thebeaker -- were being modified every few
Italian peninsula in the mid-first millennium B.C. Bydecades, sometimes quite sharply, and there
the time of the Roman Republic (509-27 B.C.),were many new items of glassware introduced
such vessels, used as tableware or as containersthat expanded the glassworker's repertoire in
for expensive oils, perfumes, and medicines, weresignificant ways. The way that the Romans
common in Etruria (modern Tuscany) and Magnacommitted themselves so heavily to the
Graecia (areas of southern Italy including modernmaintenance of good ports all around the
Campania, Apulia, Calabria, and Sicily). However,Mediterranean coastline and of fine roads that
there is very little evidence for similar glasscriss-crossed the entire Empire on land was also
objects in central Italian and Roman contexts untilcritical for keeping the Roman glassmaking
the mid-first century B.C. The reasons for this areindustry so dynamic. Of course, the main purpose
unclear, but it suggests that the Roman glassof such maintenance was to assure the easy
industry sprang from almost nothing andmovement of troops from one trouble spot to
developed to full maturity over a couple ofanother, and of administrative information from
generations during the first half of the firstone city to another. But these ports and roads
century A.D.also allowed the movement of people and their
Doubtless Rome's emergence as the dominantideas. Signatures and inscriptions in Greek indicate
political, military, and economic power in theclearly enough that eastern Mediterranean
Mediterranean world was a major factor incraftsmen settled at various places in northern
attracting skilled craftsmen to set up workshopsItaly and central Gaul; that north African and
in the city, but equally important was the factSyrian soldiers were conscripted to serve in the
that the establishment of the Roman industryarmy in northern England, thereafter to settle
roughly coincided with the invention ofthere as tradesmen; and that businessmen of
glassblowing. This invention revolutionized ancientevery background and philosophical persuasion
glass production, putting it on a par with the othertraded wherever it was to their advantage to do
major industries, such as that of pottery andso. Thus, every Roman city became a social
metalwares (as 20.49.2-12). Likewise, glassblowingmelting-pot where technical innovations could be
allowed craftsmen to make a much greaterpassed on, blending with or displacing old ideas,
variety of shapes than before. Combined with thesometimes in the space of just a decade or two.
inherent attractiveness of glass-it is nonporous,The industrial activities of the Roman world
translucent (if not transparent), and odorless-thisresponded accordingly, with a freshness of
adaptability encouraged people to change theirpurpose and an ongoing rise in skill.
tastes and habits, so that, for example, glassJewelry in the Roman Times
drinking cups rapidly supplanted potteryAncient Roman glass jewelry reached its height
equivalents.during the Augustan age, at the beginning of the
In fact, the production of certain types of nativeEmpire. This meant that in many ways the glass
Italian clay cups, bowls, and beakers declinedjewelry were deprived of much of the
through the Augustan period, and by the mid-firstexpressive freedom one might expect and hope
century A.D. had ceased altogether.However,for. The buyers of this fine artistic jewelry were
although blown glass came to dominate Romanthe conservative political. The period of peace
glass production, it did not altogether supplant castachieved during the rule of Augustus and
glass. Especially in the first half of the first centuryAugustus made this possible, especially after the
A.D., much Roman glass was made by casting,vicious fighting of the Roman civil wars. Ancient
and the forms and decoration of early RomanRoman jewelry in earlier times was derived from
cast vessels demonstrate a strong Hellenisticboth Hellenistic and Etruscan jewelry. In addition,
influence. The Roman glass industry owed a greatas Roman jewelry designs freed itself of
deal to eastern Mediterranean glassmakers, whoHellenistic and Etruscan influences, greater use
first developed the skills and techniques thatwas made of colored stones such as: topazes,
made glass so popular that it can be found onemeralds, rubies, sapphires, and pearls. Trojan and
every archaeological site, not only throughout theCretan artisans of the Minoan period, although
Roman empire but also in lands far beyond itsworking at opposite ends of the Aegean region,
frontiers.crafted earrings, bracelets, and necklaces of a
Cast Glasscommon type that persisted from about 2500 BC
Although the core-formed industry dominatedto the beginning of the Classical period of Greek
glass manufacture in the Greek world, castingart 479 BC - 323 BC.
techniques also played an important role in theRoman jewelry was highly influenced by some of
development of glass in the ninth to fourththe designs of the places they conquered and
centuries B.C. Cast glass was produced in twoestablished connections with. The creators spared
basic ways-through the lost-wax method and withno effort in making some of the most exquisite
various open and plunger molds. The mostand ornamental compositions. Rings were a major
common method used by Roman glassmakerssymbol in the body of ancient Roman jewelry.
for most of the open-form cups and bowls in theOrnamental Roman jewelry was worn by women
first century B.C. was the Hellenistic technique ofof high status. They often wore jewelry on their
sagging glass (81.10.243) over a convex "former"ears, neck, arms and hands. Ancient Roman
mold. However, various casting and cuttingdesigns and fashion jewelry also included seal
methods were continuously utilized as style andrings, amulets and talismans. The cameo and hoop
popular preference demanded. The Romans alsoearrings were introduced in ancient Roman times.
adopted and adapted various color and designAncient Roman glass jewelry reached its height
schemes from the Hellenistic glass traditions,during the Augustan age, at the beginning of the
applying such designs as network glass andEmpire. This meant that in many ways the glass
gold-band glass to novel shapes and forms.jewelry were deprived of much of the
Distinctly Roman innovations in fabric styles andexpressive freedom one might expect and hope
colors include marbled mosaic glass, short-stripfor. The buyers of this fine artistic jewelry were
mosaic glass, and the crisp, lathe-cut profiles of athe conservative political. The period of peace
new breed of fine as monochrome and colorlessachieved during the rule of Augustus and
tablewares of the early empire, introduced aroundAugustus made this possible, especially after the
20 A.D. This class of glassware became one ofvicious fighting of the Roman civil wars.
the most prized styles because it closelyThe gold beads of ancient Rome were artfully
resembled luxury items such as the highly valuedshaped to create images of flowers and animals.
rock crystal objects, Augustan Arretine ceramicsThe most common fact that is assumed by most
(as 10.210.37), and bronze and silver tablewaresis that the ancient Roman jewelry has a similar
(as 20.49.2-12) so favored by the aristocratic andresembles to the Greek and Etruscan jewelry.